Revisiting, listening, responding
A watercolour and graphite series of illustrations on cotton rag by Edwina Kung
This body of work is inspired by a beautiful time spent together with the dancers online; stories shared through movement, unfolding oneself, and connecting with others. I used a process of collecting movements through mark-making, and translating them through illustrations to retell stories that were told on screen. Through dancing, there was a process that involved following other peoples’ movements, noticing, creating responses, and transformation. This process opened the senses and seemed to expand the dancers’ willingness to share in their everyday lives and experiences. Dancing seemed to help discover and encounter oneself as an individual and as a collective in so many different ways. Just like slow reading, through dance we pay close attention to details in gestures, textures, and motions of things around us to transform them into movements.
How do our bodies and minds respond to the space we are in?
I explored this question during the time I spent with the dancers. When I participated in the dance sessions on zoom, everyone was in their homes. What we were seeing hearing was so different within our homes spaces, yet as a collective the dancers had the ability to transform these personal senses into movements, and introduce new inspirations to the group.
What could inspire a movement? A new leaf sprouting from your plant? Or perhaps the hinge of the window, where you were drawn by sunlight warmth or splashing on the tree and leaves.
This piece explores individuals in a collective, the journey of collaboration with body and mind, and the practice of speaking through movements.
I recreated marks from the sketches throughout the sessions, and revisited movements letting watercolour sink into the cotton rag and slowly flow into another colour. It moves around freely like a dance on paper.
How does the wind sound? Or the river? What memories could you recall from these moments? Could you create a movement inspired by these sounds and memories? Our bodies flow like a river, running down the mountains.
Through movements crafted and inspired by memories and sounds, we pay close attention to what we encounter; day to day, during a morning walk or perhaps watering our plants.
I was particularly drawn to moments where one dancer followed the movement of another. Sometimes we see our reflection in other people, and other times their reflection in us. The connecting and following portray a sense of acknowledgement, encouragement, and recognition.
The togetherness and openness in the dance sessions inspired me and became a sentimental part of the process. The dancers create a bridge for one another to wander through the past, present, and the journeys ahead.
The sessions were like a gathering, where everyone brought their signature dish to share. One walk across the bridge, through the beautiful garden delicately taken care of, with the sound of the river in the background. Mesmerized by what we see, we go deeper, and there it is, a slice of cake and tea that is still warm, waiting for someone to share.
How I understood movement, human togetherness, and collective identity from the start of the project differed from how I knew at the end of the creation process. I now understand them the same way I understand trees.
We are all like trees, with our bodies and mind connected. Just Like the trees, we are individuals; but our roots are tangled together. Our leaves and branches brush against each other.
Dancers used the sense of touch, feeling of texture in day to day experiences, ad how this continues after the sessions. This experience gave me a different lens into using the word “noticing”. When I look at my ivy plant tangles together, I think about movements just like when the wind flows through the trees. This is a wonderful gift given, providing new insight into our everyday life.
Find out more about Edwina Kung on her website: https://www.edwinakung.com/